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When I hooked up my more affordable Polk L100 bookshelf speakers, the soundstage closed in a bit, and detail was less forthright, but the tonality stayed mostly the same, if a bit warmer in the lower midrange near bass and kick drums, thanks to the different speaker design. My Japanese-pressed copy of “Sgt Pepper” was appropriately sizzly with both sets of speakers, from crunchy horns and buzzy guitar solos to luminous synths. Once again, nothing ever pushed my ears too hard up high.